Victoria’s King Valley — thirty diverse kilometres

On Sunday 1 July winemakers from two neighbouring but very different Victorian regions – Rutherglen and the King Valley – present their wares in Canberra. The annual Taste of two regions will be held at old parliament house between 10am and 5pm, admission $25 per person.

Rutherglen (to the north of the King Valley) spreads along the Victorian side of the Murray River. It’s a hot region famed, historically, for magnificent, luscious fortified wines and thunder-in-the-brain reds, notably durif – a serendipitous cross between syrah and peloursin.

These days it makes a full range of table wines, including somewhat less threatening reds.

In its heyday as a fortified wine producer, Australia’s major winemakers sourced large quantities from the area, which spread across the Murray to Corowa, New South Wales. The Seppelt family operated a winery in Rutherglen township, while Lindemans developed its great fortifieds from the Felton and Southern Cross vineyards across the river.

A little to the south, on the Oxley Plains, Brown Brothers flourished on its fortified wine production, too, but also made high quality reds. Their later search for more elegant modern styles opened up the southern, cooler end of the King Valley to grape growing.

The valley stretches northwards from the sub-Alpine country around Whitlands, at a chilly 800 metres above sea level, gradually descending and comparatively narrow, before fanning out over the hot Oxley plains around Brown Brothers, Milawa, at around 170 metres.

Growing conditions vary greatly in this thirty kilometre long valley. Varying altitudes, rainfall, latitudes, soils and aspects produce a correspondingly wide spectrum of grape and wine flavours.

The mean January temperature at Milawa in the north is 22 degrees Celsius; in the south at Whitlands it’s just 19 degrees. Grapes ripen in early March at Milawa but not until late April at Whitlands.

In short the area produces everything from thumping big, alcoholic fortifieds and reds, to delicate sparkling and white wines.

While the Valley’s winemaking began in the late nineteenth century, most activity remained at the warmer northern end around Milawa until the 1970s.

Milawa owes its prominence on the winemaking map to Brown Bros whose presence, from 1889, sustained the industry in the region and, ultimately, sparked the southward vineyard expansions into the higher, cooler southern end of the valley.

Growing demand for high quality table wine drove the spread south and upward towards Whitfield, Myrrhee, Whitlands and Cheshunt. Brown Bros led the way, developing its own high altitude Whitlands vineyard and encouraging local landowners to diversify into grapes.

The first independents — Guy Darling and John Leviny — established vines between Moyhu and Whitfield in the higher, cooler northern sector in 1970.  Both sold grapes to Brown Brothers. Indeed, older readers may recall Guy Darling’s Whitfield vineyard name – Koombahla – appearing on Brown Bros labels in the late seventies and eighties, before Darling established his own brand.

During the eighties and nineties, other landowners, including several Italian descended tobacco growers, commenced growing grapes, originally to sell to Brown Brothers or other winemakers.

However, during the recession of the early nineties Brown Brothers reduced its grape intake. This shock, grower Arnie Pizzini (Chrismont Wines) once told me, was the catalyst that drove him and other growers to adopt a broader, more independent approach to marketing their product.

During the late nineties, driven partly by the export boom, the numbers of independent growers increased, as did the number converting all or part of their production into branded product.

The late nineties, too, saw the arrival of the large independent makers De Bortoli and Miranda, both Griffith based and both Italian descended.

By this time the Valley had acquired a distinctively Italian flavour as the Corsini, Pizzini, Cavedon, Dal Zotto and other families planted indigenous Italian varietals, including sangiovese, arneis, barbera, marzemino, prosecco, barbera, nebbiolo, dolcetto, primitivo (aka, in California and Australia, zinfandel) and verduzzo.

These joined the usual mix of French and German varieties plus a sprinkling from Spain (tempranillo and verdejo), Russia (saperavi) and France’s little known petit manseng and increasingly popular pinot gris (often marketed under its Italian name, pinot grigio).

This diversity of landscapes, climates, grape varieties, growers and makers means the King Valley gives wine drinkers an exceptional range of taste sensations – subtly different in the case of the mainstream varieties like riesling, chardonnay and shiraz but totally removed from our usual fare when we encounter sangiovese, nebbiolo, barbera, verduzzo, prosecco and the like.

In this instance the principal driver of difference was the Italian connection – the sons and daughters of post-war immigrants.

Copyright © Chris Shanahan 2012
First published 16 May 2012 in The Canberra Times, and online in The Melbourne Age and The Sydney Morning Herald

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Wine review — Penfolds, Wicks Estate, Chalmers, Shaw & Smith and Zonte’s Footstep

Penfolds Yattarna Chardonnay $130
Derwent Valley, Tasmania, Henty, Victoria, and the Adelaide Hills, South Australia

Penfolds releases Yattarna alongside Grange and its other top-end reds. However, Grange, and the accompanying retail price war, invariably upstage Yattarna. It’s a beautiful chardonnay, driven by the intense flavour and elegant structure of fruit from some of our coolest growing regions – principally the Derwent Valley, Tasmania, and the old Seppelt vineyard at Drumborg in Victoria’s Henty region. Winemaker inputs from barrel fermentation and maturation on yeast lees add another layer of complexity in an exceptionally graceful white with considerable cellaring potential.

Penfolds Reserve Bin 10A Chardonnay 2010 $70–$95
Adelaide Hills, South Australia

The “white Grange” project of the early nineties pushed Penfolds quickly up the chardonnay learning curve, to the benefit of the entire group’s wines. It also produced this exciting spin-off from the Adelaide Hills. The winemaker inputs show through on the first sniff and mouthful – a flinty note derived from maturation on yeast lees in new oak barrels. This character meshes with the zingy, grapefruit-like varietal flavour and taut, acidic structure. The wine tastes very young at two years and should evolve well for another four or five.

Wicks Estate Shiraz 2010 $14.25–$20
Wicks Estate vineyard, Adelaide Hills, South Australia

This gold medal winner from the Royal Adelaide Wine Show offers absolutely delicious drinking right now. Estate-grown and made, it shows the ripe-berry, spice and medium body of cool-grown shiraz – the fresh, juicy, berry flavours, in particular, light up a gentle, completely seductive palate. The winemaker says, “the elegant fruit and tannin structure will reward careful cellaring”. This may be true. But it’s hard to imaging the wine every being more charming than it is now, just bristling with fruit.

Chalmers Vermentino 2011 $25
Chalmers vineyard, Heathcote, Victoria
The Chalmers family operates a 650-hectare nursery and vineyard at Euston, New South Wales, embracing over 80 varieties and 150 clones. In 2009 they established Italian varieties on an 80-hectare site they’d acquired in 2008 near Colbinabbin, Heathcote, Victoria. Their first vermentino (white) from the new vineyard shows great promise. It offers more body, flavour and savouriness than other examples of the variety I’ve seen. At a recent tasting it drew mixed, mainly favourable, reactions as it’s well removed in flavour from our mainstream varieties.

Shaw and Smith Pinot Noir 2010 $48
Shaw and Smith vineyard, Adelaide Hills, South Australia
Better known for benchmark chardonnay and shiraz, Shaw and Smith steps decisively into top-shelf pinot territory with its 2010 vintage. The colour’s pale and brilliant and the mid-weight, supple palate reflects the seductive, fruity aroma. It’s very Australian in its pure, vibrant, varietal, fleshy fruitiness – and oh so easy to quaff now. But there’s substance, too, in the strong tannin structure, range of fruit flavours and underlying savouriness. Every mouthful reveals something new.

Zonte’s Footstep Canto di Lago Sangiovese Barbera 2010 $14.95–$20
Langhorne Creek, South Australia

Like the name, the wine combines bits of Italy and Australia. A 50:50 blend of the Italian varieties sangiovese and barbera, Canto di Lago (song of the lake), brings together the sweet, brisk, piquant, summer-berry flavours of barbera and the firm, fine savoury tannins of sangiovese. The same blend made in Italy probably wouldn’t much resemble this all-Australian effort. It reflects Langhorne Creek’s unique growing, cooled by breezes from nearby Lake Alexandrina, and a modern Australian approach to winemaking – capturing pure, clean grape flavours, sealed in with an hygienic screw cap.

Copyright © Chris Shanahan 2012
First published 16 May 2012 in The Canberra Times

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Bundy goes upmarket

When great, great grandfather Shanahan trudged up Macquarie Street, past Sydney’s rum hospital, the dark spirit served as both currency and tipple of choice in his majesty’s colony. Cold, hard cash eventually became currency, but the tipple lingered on, ultimately retiring to Queensland, close to the cane fields.

Two hundred years on, Bundaberg distillery rules Australia’s rum category, principally through the enormous success of its ready-to-drink mixes – notably with ginger beer and cola.

But Bundaberg’s London-based owner, Diageo, clearly sees an upmarket niche, and perhaps respectability, in finer, aged versions of its molasses-based spirit.

Golden Reserve, the third in Bundaberg’s Master Distillers’ Collection, combines a range of older rums, some matured in retired sherry and port barrels. These inject attractive flavours into our historic, sun-soaked spirit. It’ll hold little appeal to Cognac or single-malt drinkers. But it’s definitely a rum to savour on its own.

Bundaberg Master Distillers’ Collection Golden Reserve Rum $89.99
The colour’s a deep gold and the aroma suggests the “rancio” character of fortified wine, long aged in old oak barrels – with the devil rum itself pushing through in the background. Fiery spirits leads the charge on a rich, smooth palate that also reflects the oak character of the aroma.

Copyright © Chris Shanahan 2012
First published 16 May 2012 in The Canberra Times

 

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Wine review — Tarrawarra, Chapel Hill and Kilikanoon

Tarrawarra Yarra Valley Pinot Noir 2010 $19–$22
Tarrawarra Yarra Valley Chardonnay 2010 $19–$22

Tarrawarra’s estate-grown and made chardonnay and pinot provide delicious, subtle drinking at a fair price. The pinot, made from four different clones and matured a variety of French oak, opens a little shyly on the nose. But the palate immediately delivers gentle, vibrant fruit flavours, supported by fine, silky tannins – real pinot that blossoms and becomes more aromatic with a little exposure to air. The chardonnay, too, focuses on varietal fruit flavours, reminiscent of citrus and melon. But time in barrel and on yeast lees backs the fruit with a creamy, smooth texture.

Chapel Hill McLaren Vale Bush Vine Grenache 2010 $30–$35
This excellent follow up to the fleshy 2009 vintage, captures the rich, earthy flavours of old McLaren Vale bush vines (vines grown as individual bushes, without trellising), planted in 1926, 1952 and 1967. Winemakers Michael Fragos and Bryn Richards say they hand picked the grapes and made the wine in small batches in open fermenters “to facilitate a long, slow, gentle extraction”. Subsequent maturation in older French oak hogsheads further ameliorated the tannins. The result is a pure grenache featuring the earthiness and pronounced tannins of the vintage – with a background of spice.

Kilikanoon Clare Valley Barrel Fermented Semillon 2011 $20
Semillon thrives across Australia and comes to us in many forms, including the classic, long-lived, unwooded Hunter Valley versions, the slightly fatter unwooded Barossa style and the herbal, elegant, partially oak fermented Margaret River blends with sauvignon blanc. In the Clare Valley, several makers, including Kilikanoon, ferment and mature semillon in oak barrels – adding extra dimension and body to the lemony, pleasantly tart varietal character of the grape. In the particularly cool 2011 vintage, this means considerable focus on the lemony-tart bit, relieved by the clever but not intrusive barrel contribution.

Copyright © Chris Shanahan 20112
First published 13 May 2012 in The Canberra Times

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Penfolds releases Grange, St Henri, Magill Estate, RWT, Bin 707 and Bin 169

I tasted Penfolds’ blue-chip reds ahead of the 3 May release date – missing the “mine’s smaller than yours” retail price scrum invariably accompanying the release. Therefore, by the time you read this, prices at major retail outlets will likely have tumbled below the recommended prices I give below.

Yet again under winemaker Peter Gago, we see a magnificent suite of reds built for long-term cellaring. Each shows its own distinctive character. And all, except St Henri, bear the deep purple thumbprint of Max Schubert, genius Grange creator.

Retailer discounting notwithstanding, prices have moved up steadily in recent years, marking the internationalisation of the Penfolds brand – underpinned increasingly, like Bordeaux and Burgundy, by the rising wealthy classes in China.

With the exception of Grange, the wines come both cork and screwcap sealed. I recommend the screw cap in all instances. Grange comes only with cork at this stage, though Penfolds’ trials with other seals for very long-term cellaring will result ultimately in a cork alternative.

Penfolds St Henri Shiraz 2008
Price:
$95
Grapes:
Shiraz 91 per cent; cabernet sauvignon 9 per cent
Regions: Barossa Valley, McLaren Vale, Langhorne Creek and Adelaide Hills
Maturation: 1,460 oak vats, more than 50 years old
History: Developed by John Davoren in the early 1950s; first commercial vintage 1957.
Style: Elegant, medium-bodied shiraz without the input of new oak, a thumbprint of most Penfolds reds
Tasting note

Deep red colour with a vivid purple hue at the rim; pure, ripe, and youthful mulberry-like varietal aroma; the beautiful, pure fruitiness flows through to a supple, juicy palate – the fruit layered with fine-boned, drying, savoury tannins. This is big but typical St Henri – elegant, understated, no oak in sight and built for long-term cellaring. Can be enjoyed now, but from experience should drink best from 15 years of age and continue to evolve for decades (reliably under screw cap).

Penfolds Magill Estate Shiraz 2009
Price:
$130
Grapes:
Shiraz
Regions: Penfolds Magill Estate vineyard, Magill, South Australia
Maturation: 12 months in 67 per cent new French and 25 per cent new American oak hogsheads; balance in one-year-old French hogsheads.
History: Initiated by retired Grange creator, Max Schubert, with support of Penfolds executives, following mooted redevelopment of the suburban Magill site. First vintage 1983.
Style: Medium bodied, finely textured shiraz reflecting seasonal conditions in the 5.2-hectare vineyard.
Tasting note

Deep red/black colour with youthful crimson and purple tones at the rim; the aroma combines ripe varietal fruit and spice meshed with oak (an effect produced by barrel fermentation says Peter Gago); has quite an acid attack after the St Henri – accentuating both the vibrant berry flavours and the well-integrated oak characters. Layers of assertive but velvety fruit and oak tannins add texture and carry through the finish with the fruit. A particularly good Magill with good cellaring potential – best drinking after another two or three years in the cellar.

Penfolds RWT Barossa Valley Shiraz 2009
Price:
$175
Grapes:
Shiraz
Regions: Barossa Valley, usually northern and western areas.
Maturation: 14 months in 60 per cent new, 40 per cent one-year-old French oak hogsheads
History: Trialled from 1995 by John Duval. First vintage 1997, released in May 2000. Winemaker Peter Gago says RWT helps protects Grange from periodic suggestions to lighten it up.
Style: An aromatic, opulent and fleshy expression of Barossa shiraz, contrasting with the power and intensity of Grange. Matured in French, not American oak.
Tasting note
Deep, dense red/black colour with purple rim; the nose delivery highly aromatic plummy fruit mixed with sweet, spicy French oak, promising a wine of opulence; the palate delivers the promise – big but graceful, combing ripe Barossa shiraz flavours with sweet oak and layers of juicy tannin. There’s a meaty note too, reminiscent of the browned outside of char-grilled steak, adding a umami dimension to the fruit/oak amalgam. RWT 2009 should drink very well after another few years of maturation and evolve well for a decade or two if well cellared.

Penfolds Grange Shiraz 2007
Price:
$625
Grapes:
Shiraz 97 per cent; cabernet sauvignon three per cent
Regions: Barossa Valley, McLaren Vale and Magill Estate
Maturation: 21 months in new American oak hogsheads
History: Developed by Max Schubert from the 1951 vintage.
Style: Powerful and unique expression of warm-climate shiraz capable of very long term cellaring. Becomes finer and more elegant with prolonged bottle ageing
Tasting note
Dense red/black colour all the way to the rim; an all-Grange aroma – ripe, penetrating and idiosyncratic; enormously powerful, mouth-puckering palate; an exquisite, exotic lump of flavour and texture, all in one piece, the many components inseparable from one another. Somewhat firmer and without the particularly buoyant fruit of the 2006 vintage – a typical Grange expression of the vintage. Are there any other Australian wines as good as this? Yes. Are there any others that taste like this? No. This is unique. Best drinking should be from 15 years and beyond – for many decades if well cellared.

Penfolds Bin 707 Cabernet Sauvignon 2009
Price:
$250
Grapes:
Cabernet sauvignon
Regions: Coonawarra, Barossa, Wrattonbully, Padthway
Maturation: 13 months in new American oak hogsheads
History: First made in 1964 from cabernet grown in Penfolds Kalimna vineyard, Barossa Valley. Discontinued between 1970 and 1975 because of cabernet shortages. Relaunched 1976 and not released in 1981, 1995, 2000 or 2003.
Style: A powerful style in the mould of Grange. Know affectionately within Penfolds as “Grange cabernet”.
Tasting note
Dense red/black colour with brilliant purple rim; a beautifully aromatic Bin 707, led by sweet, ripe, dark berries, typical of Coonawarra cabernet, seasoned by sweet oak; beautiful, sweet, dense, ripe fruit pushes through the firm, griping tannins on the palate. The overall impression is of power with elegance in a wine we know from experience retains its clear varietal character for decades, becoming finer and more elegant with age. This is a classy Bin 707, at home with lamb or beef now, but likely to be at its best in fifteen years or more. Chateau Shanahan’s 1986 still drinks perfectly, so no rush with the 2009.

Penfolds Bin 169 Coonawarra Cabernet Sauvignon 2008
Price:
$250 but available only at the cellar door.
Regions: Coonawarra
Maturation: Fine-grained French oak hogsheads
History: New under this label, but Penfolds made a Bin 169 Coonawarra Cabernet Sauvignon in 1973 – the best parcel from the vintage.
Style: Winemaker Peter Gago says Bin 169 is to Bin 707 Cabernet Sauvignon what RWT Shiraz is to Grange – a fragrant, elegant expression of a regional specialty, matured in French rather than American oak. Gago believes Bin 169 will protect the unique Bin 707 style just as RWT protects Grange.
Tasting note

Not tasted this year, but sampled previously on a couple of occasions with Peter Gago, Bin 169 easily sits with Australia’s finest cabernets – a pure, vibrant, luxuriously textured expression of Coonawarra. Bound to sit near the top of any masked tasting of cabernets from anywhere in the world.

Copyright © Chris Shanahan 2012
First published, in part, 9 May 2102 in The Canberra Times

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Wine review — Moorilla Estate, Fox Creek, Innocent Bystander, Elevation and Evans and Tate

Moorilla Estate Muse Pinot Noir 2010 $48
Tasmania
Under David Walsh’s ownership, Moorilla Estate (founded 1958) gained not only the Museum of Modern and New Art, but a new winemaker and a complete revolution in its vineyard and winery management. The changes were under way when I visited winemaker Conor van der Reest at Moorilla in 2009. With the 2010 Muse pinot, van der Reest brings home the bacon. This is a glorious, completely irresistible pinot. It flourished on our tasting bench for four days, revealing layers of aroma, flavour and texture.

Moorilla Estate Praxis Chardonnay 2011 $30
Tasmania
Moorilla’s Daniel McMahon writes, “Praxis is selected for upfront fruit intensity with softness to the structure after tasting all the barrels after six months.” Moorilla’s more expensive, potentially longer-lived Muse wines spend another year in barrel. Praxis 2011 chardonnay’s inviting, clean, fresh citrusy varietal aroma leads to a shimmering, vital palate. The wine’s high natural acidity accentuates the intense but delicate flavours and gives a beautifully clean, fresh, dry finish. We’ll review the Muse chardonnay next week.

Fox Creek JSM Shiraz Cabernet Sauvignon Cabernet Franc $21.85–$24
McLaren Vale, South Australia

This original, clever blend, based on shiraz, uses the two cabernet varieties to add different dimensions. First impression is of a highly aromatic red with buckets of slurpy, sweet, juicy fruit on the mid palate. The aromatic high notes come, presumably, from the cabernet franc component. And the big, soft palate and soft tannins start with shiraz. However, two cabernets affect the palate, too – cabernet sauvignon tightening up the structure and adding mint and chocolate notes. The cabernet franc adds a racy element. It’s made to drink now.

Innocent Bystander Mule Shiraz 2010 $30
Paxton’s Gateway vineyard, McLaren Vale, South Australia

Well-known McLaren Vale grape grower, David Paxton, established the Gateway vineyard early last decade and completed its conversion to certified biodynamic in 2011. Paxton sells fruit from the vineyard to Yarra-based Innocent Bystander for their new single-vineyard range, comprising viognier, sangiovese and this shiraz-viognier blend. It’s a richly textured but fine-boned, silky style combining bright, ripe fruit flavours with underlying McLaren Vale savouriness. The blend is 96 per cent shiraz with four per cent viognier.

Elevation Cabernet Sauvignon 2010 $49
Pedestal Vineyard, Margaret River, Western Australia

Elevation provides a highly aromatic, pure expression of the cabernet sauvignon grape – capturing a spectrum of its varietal characters. Ripe, sweet berry flavours give the wine a sweet supple core. But a leafy, herbaceous note pushes through, saying, ahem, I’m a cabernet – an indisputable fact brought home by the solid by soft tannin structure. The Pedestal vineyard is located at the highest point of Margaret River’s Wilyabrup Valley. Pedestal Wines is a partnership between Greg and Kerilee Brindle and Larry and Edwin Cherubino.

Evans and Tate Classic Shiraz Cabernet 2010 $13–$15
Margaret River, Western Australia

Now part of McWilliams Wines, Evans and Tate Classic offers big-company reliability, correctness and value – if not excitement. The wine’s aroma reveals a floral, sweet-fruited side of shiraz. This bright fruitiness comes through, too, on the palate. But here a little cabernet astringency kicks in, adding grip and an elegant structure suited to this medium-bodied style. This is an extension of the “Classic” range, a term originally used in the eighties in conjunction with light, crisp, blended white wines. Notable early adopters were Wolf Blass and Evans and Tate.

Copyright © Chris Shanahan 2012
First published 9 May 2012 in The Canberra Times

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Beer review — Stone & Wood and Little Creatures

Stone and Wood Jasper Ale 500ml $6
Byron Bay’s Stone and Wood Brewery recently released its third beer, a beautiful red-coloured ale, inspired by “German alt, American amber ale and English brown ale styles”, says the press release. It’s a full-bodied, smooth, malty style cut with a delicious herbal, hoppy flavour and lingering bitterness.

Little Creatures Pale Ale 330ml 6pack $18.99
While hops play a dominant role in Little Creatures, it’s not in the eye-popping, palate wrenching, malt-versus-hops arm wrestle we see in some hops-focused brews. A fresh, orange-zest-like aroma, derived from fresh hops flowers, sets the tone for a distinctively rich, aromatic, refreshing brew that’s easy to love, hop-head or not.

Copyright © Chris Shanahan 2012
First published 9 May 2012 in The Canberra Times

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Australia’s top 100 beers

We’ve just grabbed the second edition of The critics’ choice – Australia’s best beers ($19.95, Scribal Publishing 2012). It’s a slim, advert rich book, set in an eye-wrenching sans serif typeface (compounded by a too-dark background colour in the early pages) only an advertising agency would choose.

Struggle through, though, and discover Australia’s top 100 beers as rated by a mix of retailers, journalists, bloggers, venue operators and brewers. Members of the group independently listed their favour beers tasted from any source during 2010.

They then ranked their selections, awarding 50 points to the top beer, 49 to the second and so on, then sent their ratings to a coordinator. The aggregated scores determined the beers on the top 100 list, ranked in order of their scores.

Top three on the winner’s dais were Feral Brewing Company Hop Hog India Pale Ale, Stone and Wood Pacific Pale Ale and Little Creatures Pale Ale (reviewed below).

Copyright © Chris Shanahan 2012
First published 9 May 2012 in The Canberra Times

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Wine review — All Saints, Moorilla and Seville Estate

All Saints Estate Rutherglen Marsanne 2010 $18.70–$22
The Rhone Valley white varieties seem a better bet than chardonnay for full-bodied dry whites in warm regions like Rutherglen. All Saints makes two versions – the richer, fuller, barrel fermented Family Cellar ($30) and this stainless steel fermented version featuring the variety’s bright citrus flavours. Early picking means a comparatively low alcohol content (12.2 per cent) and less of the viscous, oily texture the variety sometimes displays. The creamy texture behind the vibrant fruit comes from a brief period in barrel on the yeast sediment left by its big brother, says winemaker Nick Brown.

Moorilla Tasmania Praxis Pinot Noir 2011 $30
I visited Moorilla in late 2009 during a period of transition – reflected in the varying quality of wines on tasting, some pre-dating new winemaker Conor van der Reest’s arrival. Shortly after our visit, owner David Walsh opened his Museum of Old and New Art on the same site. And three years on, the wines reflect all the vineyard and winemaking changes van der Reest had in train in 2009. His Praxis pinot delivers a pure, intensely aromatic expression of the variety, laced with the delicious, telltale stalky character of whole-bunch fermentation. The intense fruitiness continues on a vibrant, silky palate, inviting another mouthful.

Seville Estate Yarra Valley The Barber Chardonnay 2010 $18–$20
Seville’s Barber range complements its estate-grown wines while still offering an expression of Yarra Valley flavours. The 2010 chardonnay, made from both contract and estate-grown fruit, presents pure, tingly cool-climate varietal flavours (citrus and melon rind) in a bright, refreshing drink now style. It has good mid-palate richness and texture, but the focus never moves from the zesty fruit. Made by Dylan McMahon. This is a great example of the finessing of Australian chardonnay styles over the last twenty years – growing it in the right places, capturing the varietal flavour and not overwhelming it with winemaking tricks.

Copyright © Chris Shanahan 2012
First published 6 May 2012 in The Canberra Times

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Wine review — Collector, Peter Lehmann, Punt Road, Kangarilla Road and Red Knot by Shingleback

Collector Reserve Shiraz 2011 $58
Kyeema and Fischer vineyards
Murrumbateman, Canberra District, New South Wales

The first 2011 Canberra shiraz to hit the tasting bench sets the bar very, very high indeed. Showing the cool season, it’s a lean, elegant style, backed by intense, pepper and red-berry varietal flavours and succulent tannin. Decanted, splashed and tasted over several days, the wine retained its brilliant colour and beautiful freshness – yielding layers of flavour. It’s definitely one for the cellar. Winemaker Alex McKay says because of pent-up demand (there was no 2010) he’s releasing it early – in the first week of July. He’ll release the cheaper Marked Tree Shiraz 2011 in August.

Collector Lamplit Marsanne 2011 $32.95
Fischer and Rosehill vineyards,
Murrumbateman, Canberra District, New South Wales
Like the Ravensworth marsanne reviewed here recently, Alex McKay’s Lamplit points to Rhone Valley white varieties as better bets than chardonnay for Canberra vignerons. It’s a pleasing and sophisticated wine – savoury, richly textured (but not fat) and underpinned by a gently, citrusy varietal flavour, subtly meshed with a pleasing character derived from barrel ageing on yeast lees. The slightly fuller and rounder (but now sold out 2010) indicates benefits from bottle ageing – and that this could be a slow and graceful evolution. McKay says both wines underwent full malo-lactic fermentation, adding texture, and the 2011 contains a splash each of viognier and roussanne.

Peter Lehmann Wigan Riesling 2006 $28.49–$32
Eden Valley, South Australia
Peter Lehmann’s glorious aged riesling comes from “a single vineyard from the southern end of Eden Valley, with an elevation of some 500 metres and shallow rocky soils”, says winemaker Andrew Wigan. He rates the 2006 season, “one of the greatest white wine vintages the Barossa has ever seen”. We can’t argue. It pours a glowing, green-tinted, pale golden colour; the aroma reveals the pleasing toasty overlay of bottle age on the deep, delicate lime and lemon varietal flavours. It’s a beautiful wine – a delight to drink now and likely to provide pleasure for another decade or more.

Punt Road Chemin Syrah 2010 $39
Block 5, Napoleone Vineyard, Yarra Valley, Victoria
Kate Goodman’s striking red pushes the boundary on Australian shiraz. Its medium body, fine structure and peppery, spicy flavours are givens of the Yarra’s cool climate. But the winemaking techniques – including a wild yeast ferment and 100 per cent whole-bunch fermentation – introduce their own textures and flavours to the wine. The inclusion of whole bunches (which means stems), enriches the tannin structure while inserting a notably stalky aroma and flavour. This is intriguing and distracting at the same time, drawing us back again and again for another mouthful. Before long the bottle’s empty and we conclude Kate’s onto a winner.

Kangarilla Road The Veil Savagnin Blanc 2011 $20 500ml
McLaren Vale, South Australia
Winemaker Kevin O’Brien created Kangarilla’s pleasantly tart take on the idiosyncratic vin jaune wines of France’s Jura region. The wines, matured in oak barrels under a film (or veil) of yeast, take on a savoury, tart, nutty character reminiscent of sherry. O’Brien’s richly textured wine delivers the zesty freshness of savagnin, with a light, tart, savoury sherry-like overlay. It’s a delicious and original aperitif style, more subtle than sherry and a more modest 13 per cent alcohol.

Red Knot by Shingleback Cabernet Sauvignon 2011 $11.39–$15
Davey Estate Vineyard, McLaren Vale, South Australia

That the discounters frequently trim the price of Red Knot is a sure sign of popularity. And popularity, in this instance, proves that Australia’s savvy palates know a bargain when they see one. This is a great example of modern Australian winemaking – starting with good fruit, principally from the Davey family’s Shingleback vineyard, then capturing the varietal flavour structure in the winery. It’s a ripe, juicy, fruity, fresh, flavoursome, lovable, red made to enjoy now.

Copyright © Chris Shanahan 2012
First published 2 May 2012 in The Canberra Times

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